History of Sculpture, Painting, and Architecture (Classic Reprint)

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Excerpt from History of Sculpture, Painting, and Architecture It is only bespeaking that share of confidence due, in the first instance, to opportunities of research, to state, that in the following pagesnot a single work of art is made the sub ject of criticism, the original of which the author has not seen and examined. Indeed, the substance of his remarks is gen erally transcribed fi'om notes taken with the statue, or picture, or building, before him. The best authorities, also, have been consulted, and such as from ...

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